I started my short story writing career after I read a Selected Reading short story entitled “El Pequeño Escribiente Florentino” (The Little Florentinian Writer). I had consistently published my short stories in the weekly billboard at the Instituto Alexander Von Humboldt, that I managed with the assistance of a few Grupo Progresista ("El GP") supporters, which I had founded in an effort to attain further leadership in the classroom. We had been encouraged by the “to be more” philosophy rather than the “to have more” philosophy, by our leading teacher Carmelo de La Ossa. Literarily, I had created a strong male character, Hermenegildo, inspired by a picture of my grandfather whom I did not know, and whom I only met after my twenty-third birthday. Likewise, I had created María, a coquette female character partly inspired by some of my classmates by that name, who were somewhat playful with me at times, and with whom I had a great deal of fun. Possibly, María also had to do with my very beautiful girlfriend at that time, Carmen. They were so well elaborated after a few years that I won several literary prizes based on more complex related short stories.
“The Blue Eyes of My Green María” (below), published on my weekly Humboldt outdoors billboard, is the short story that initiated it all for that character.

El Retrato del Fantasma, my book title, and also my first university literary prize, while a student at Universidad del Norte, and published by the University magazine "Huellas". It was also published by the regional newspaper Diario del Caribe.


German Vargas, a member of Noble Prize winner García Márquez’s literary and artistic group wrote in his then popular critical column in El Heraldo: “The fact that the jury has selected Noriega-Carranza’s short story deserves to be pointed out.” I believe this is because I had surpassed a few senior writers in the genre and won the contest both for its content and its writing style.




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